Curator's View November 2015

The 2015 featured maker calendar is drawing to an end. However, we like to ensure that, as that special time of year approaches, we have the most interesting group of makers from the beginning of November through to the end of December. As well as those featured makers, which I will introduce in  a moment, there will be the usual array of ceramicists – some very well known, others less familiar – to ensure that we have work to appeal to all tastes.

The featured makers include two names new to Bevere; someone who last appeared here some years ago, and a maker whose new work will be welcomed back again.

Robert Cooper – a newcomer to Bevere -  is an experienced and respected ceramicist who makes much use of recycled materials and found objects. I have always admired his lidded boxes and the quality of his decoration. Each piece is distinctly different and the range of his decoration is evidence of a deep well of creativity. I am sure that visitors will find much to admire.





Charlotte Stockley is another first time exhibitor.  Charlotte is a maker of domestic ware which undoubtedly adds pleasure to eating and drinking. Her pieces, which are thrown and altered,  have a freshness and energy which gives each a distinct look and feel. The Mid Surrey Collection, which will be featured, is decorated with fruit and vegetables. Her use of porcelain gives an added elegance and lambency.

Petra Bittl will be remembered by some of our visitors as one of the makers in our German Show that we put on some years ago. Based in Bonn, Petra is one of Germany's leading potters. She had aspirations to be a painter originally,  however she took the ceramic route instead. As it happens her work is a fine vehicle for her abstract painting and I like the way that shape and decoration interact. It is a pleasure to have her back at Bevere again.




Akiko Hirai has featured at Bevere several times over the years and we are regularly asked when we will be getting new work from her. Well here it is.

Her work displays her Japanese upbringing although she has lived in the UK since 2000. The oriental influence is evident, but this is also distinctly contemporary ware which will enhance both table and home. She is a thoughtful potter who makes constant links between the written word and her ceramics. She sees story lines in her work and the ambiguities of language are similarly expressed. As with so much of the work we are showing, our visitors will ascribe different interpretations.

Like all good art, studio ceramics can and does provoke such a range of responses. Long may it do so.

Stuart Dickens
November 2015

THE GRADUATE SHOW 2016

The upcoming Graduate Show in January 2016 is the traditional opener to the Gallery year. This particular show has an added significance; it is our tenth and we want to celebrate the event's continuing popularity amongst our visitors.  Although the gallery was founded 43 years ago, it is the 10th anniversary of Bevere as a specialist ceramic gallery.

We have had strong feelings from the outset about the need to promote the work of emerging talent, as well as showing the established names in studio ceramics. It is, then, a good time to offer our thoughts about the ongoing regeneration of a craft which has been a major feature of human culture for millennia.

From a gallery perspective, it is sometimes a little depressing to see the same names featured in one gallery after another. This is not to suggest that they are unworthy; rather that the range and diversity of the craft is self limited. Visitors to Bevere frequently comment on the number of potters represented here and their individual voices. This is, in part, due to our continuing promotion of the best of our graduate exhibitors. Making a living as a ceramicist has never been easy – it could be argued that it has never been more difficult. Supporting emerging makers is a small contribution to getting them on the ladder and importantly bringing new ideas and approaches to the craft.

It is mainly through the graduates that we are beginning to embrace the new technologies of computer aided design and printing. Yes, they are much removed from the underpinning traditional approaches to studio ceramics, but, used effectively, they are no more than an aid to implementing creative thinking. The outcomes may surpass those that we thought were possible.

So, this is an early notice to put the Graduate Show in your new diary – 9th January to 2nd February 2016. We look forward to seeing you then and for your reaction to this year's selected graduates.

Foot note
 I have to say that whilst the calendar is a constant reminder of the passing of time, the numbers of fine pieces we show in the gallery accumulates at a rate which always takes me by surprise. We are about to reach 13,000 – that is the number of individual pieces that we have shown in the gallery since we specialised in studio pottery
It is entirely serendipitous that the vessel in question  is part of our annual Graduate Show. Emma Johnson is inspired by geometry and architectural design and her mixed media vessels offer different perspectives with the capacity to interact and change.

It is also appropriate that at the turn of the year we should be reminded of important developments in studio ceramics with the use of computer aided design and printing – more of this in my next blog about the opening show of the year.

Stuart Dickens
Ceramic Curator
19/12/15

Curator's View - October 2015

The Gallery's featured maker programme is designed to achieve a number of objectives. Firstly, to highlight those makers that the gallery has represented for some years and give them the opportunity to exhibit new work, Secondly,  to introduce ceramicists, who are new to the gallery - although many will be well established figures - to maintain the freshness and diversity which has become one of the signatures of the gallery.  I know that I tend to go on about diversity but it is the apparently endless range of invention and creativity that sustains the interest of so many ceramic enthusiasts.
In October, we again have three featured makers one of whom is new to the gallery.

KYRA CANE

 has a reputation as a teacher of ceramics in many well known institutions, including the late lamented Harrow course and also as a maker of fine pots. She is a thrower who enjoys the physical and sensual work with clay to produce organic vessels with impressive abstract decoration. It is a pleasure to see her work at Bevere for the first time.



PAUL JACKSON

will need little introduction from me; he has exhibited here on a number of occasions over the last decade. Paul never stands still and his creative biography is one of constant development and experimentation always producing work to stimulate the senses. Paul is a ceramic artist whose constant aim is to create synergy between volume and decoration - expect no less this month.




LAURA MURPHY

will be known to those that voted her No 1 in our annual Graduate Show last January. This feature is part of our commitment to her as the winner to support and promote her during the following year. She continues to make and develop her work as will be seen from this group of pieces. Her pots continue to sell and generate interest and positive reactions.  I wish her well as she embarks on her career as a professional studio potter.

These are of course featured makers but we also have a wide range of studio potters in the gallery.

An important event this month is the 50th Anniversary

of MUCHELNEY Pottery in Somerset run by John Leach. To celebrate this fine achievement we will be showing a small group of the standard ware for which Muchelney is well known. It is a pleasure to promote the work of potters who have developed and sustained their business over the past five decades.

7000th Painting - ZOE TAYLOR'S "Bluster"

 This is the 7000th painting we have offered  in the Gallery and on line. 

Zoe is one of our most popular artists with our visitors and lives locally. 

This is what she says about her work-

 

"You know those very ‘British’ days we get here? Those days where the clouds scud across the sky and you decide to take a walk and a look at the view? Those days when that patch of blue disappears and all of a sudden you know that you are going to get rain splattered very soon - well that’s the sort of day and 'BLUSTER 'is the description of that wind that carries the rain right at you !

I work in a sketchbook when I’m out and about and that sketchbook feeds my studio work. The pages these days are dirty and splodgy and inky and black and an impression of the place rather than directly representational. I record that wind, rain and light in scratches and muddy splashes across my paintings - trying to capture that energy that you feel out in the wind and the rain.

I also have scenes in my head, as if by osmosis by being in the landscape, and once I start a painting then the sketch and the memory seem to come together and so the process moves along and drifts from the original inspiration. This is why most of my paintings rarely have a place name attached to them, they are as much about the elements as the place.

Bluster started life as a sketch usually work with acrylics on heavyweight watercolour paper. You have to work fast with acrylics so I find that the energy has to be there right from the beginning - if you want to mark the paint in any way, it has to be done whilst that paint is still wet enough to take the mark. Paper sucks the moisture away from the pigment and I just love the feel of the paint across the paper.

My work is still maturing but I feel that it has a long way to go. I’m looking forward to some time in Cornwall in October and hope to do some more direct work outside in the field, working directly to a finished piece, rather than into a sketchbook, to give a more immediate response.h from quite a few years ago and evolved as I worked."

 

Zoe's paintings hanging in Bevere Gallery

MUCHELNEY POTTERY

 Muchelney Pottery's 50th anniversary Bevere Gallery has represented Muchelney pottery for almost as long as we have been a specialist ceramic gallery. This is but a fraction of the time that this famous pottery has been working. 50 years ago - in 1965 - John Leach established the pottery and it has been a highly productive and successful enterprise ever since – apart from the debacle of the floods on the Somerset levels which closed down the pottery more than once.

This is a wonderful anniversary and we celebrate with them 50 years of making high quality standard ware as well as the personal pots of John, Nic Rees - who has only been there for forty years - and Mark Melbourne.

Many congratulations and long may the pottery flourish.

Newsy article by Potter Pete Higgs "Spooky Event"

 "I just wanted to share this with you, it may make an interesting piece for the blog!

Iain and I were recently in France on a house hunting trip and decided this time to rent a gite as we were basing our search in the area just south of Poitiers. Online I found a lovely gite near Ruffec called Le Bois de L'Eglise and we had a great week. The owners, Tony and Bev are a great couple and have been really helpful with our house search and the evening before we left, they asked us over to their farmhouse for a meal. Halfway through the meal on the terrace, I glanced over to the doorway and did a double take. There on a stand next to the door was one of my leaf sculptures! It turned out that Tony had bought it for Bev a few years ago from the Bevere Gallery website. And it was shipped over to them.

We were all dumbfounded by this chance of fate. What are the odds that I randomly choose this location to stay and this gite too. Even then, if Tony and Bev hadn't been such a nice couple, then we wouldn't have been on their terrace to be reunited with one of my own sculptures 700 miles from home?"

Pete

 This leaf was sold during Bevere Gallery's very first Sculpture Trail in the Gardens of Bevere Knoll

Through the years Pete has made numerous garden sculptures including many leaves.  We do have just one leaf  at the moment available in the Gallery.

 k

THE CURATOR'S VIEW – September 2015

"We are grateful for the continuing positive feedback from the Gallery's visitors. Whilst most of it is complimentary about so many aspects of what we try to achieve, it is the engagement itself between staff and visitor that is most important whatever opinions are expressed.

Studio ceramics is a live craft; it impacts on our senses as good art should and often demands to be touched. There is something almost preternatural about the pleasure we gain from holding or caressing a tactile vessel or sculptural piece. Equally it is clear that even the inexperienced gallery visitor gains something from articulating his or her feelings about a maker's work. We will always encourage that dialogue – please do chat with us when you have the chance.      

Adam Frew

is the new name to the Gallery this month. He lives and works in Northern Ireland. He loves to throw pots - which is good news in the era of the cast and computer-designed vessel. His signature is his quirky decoration which adds a strong contemporary feel to his functional work. It is that quirkiness which brings renewed pleasure to the owner on each occasion they are used."

Rachel Wood

has featured at Bevere a number of times over past years and her work always pleases. She is strongly influenced by the spirit of place, as a recent residency in Australia demonstrated. Her distinctive painterly decoration will impress those who have not seen her work before and renew the admiration of those that have. I am particularly taken with the shape and volume of her bowls. I know that presence is an overworked word in our vocabulary but they certainly have it.

Chiu-I Wu

is a ceramic sculptor with self-evident oriental influences – she was born in Taiwan - but with a contemporary design that appealed to so many who saw and bought her work when she was last at Bevere. Her craft skills are of the highest order with immaculate attention to detail. This is work that is about line and perspective – it is often that elegance of the whole look of her work that catches the eye. More than that the pieces are distinctly hers".

Stuart Dickens