After the buzz and energy generated by a popular and successful Graduate Show in January, we know that February is always challenging. Nevertheless, I believe we have met the challenge with a group of makers with contrasting and striking approaches to their work.
This month we are delighted to
welcome for the first time,Maria Wojdat
whose elegant designs and the use of vibrant colours will undoubtedly bring
light to the darker days of winter. Colour has become one of the features of
the current market. Different colours evoke different moods and provide
decorative exclamation marks. This work is beautifully made and I hope that you
enjoy her work as much as we do.
Clare Crouchman
has exhibited several times before, but I particularly like the direction she
is now taking her wall pieces Those that have had a glimpse of these
pieces have been impressed and also acknowledge the successful transition and
development of her work.
. Those familiar with her work will remember the symmetry of her pattern making. What we now see in what she calls the ‘Tree Series’ is more organic with a striking use of tree imagery.
. Those familiar with her work will remember the symmetry of her pattern making. What we now see in what she calls the ‘Tree Series’ is more organic with a striking use of tree imagery.
Thomas Hopkins – Gibson exhibited in one of our earlier graduate
shows. He is an unusual maker as he works in clay and wood. His ceramic
decoration also reflects wood grain and his work was very popular. It is a
pleasure to have Thomas back here again and to see the way in which he has
developed since we last showed a body of his work which must be about two years
ago now.
His talent was recognized in a show in America of Scottish made craft and as a result landed a contract with Calvin Klein - good news indeed, but clearly an added pressure for any studio potter.
His talent was recognized in a show in America of Scottish made craft and as a result landed a contract with Calvin Klein - good news indeed, but clearly an added pressure for any studio potter.
I have already expressed the
gallery’s sadness at the news of the death of Eric James Mellon. We have decided to hold a small show of his fine
work next month to commemorate the life of an exceptional artist/ potter. Try not to miss it.
Stuart Dickens